Helsinki Public Art, the Nonconventional Edition

Helsinki has its share of huge metal lumps, in boring shapes of important middle age white men from the days past. Luckily, there is another kind of public art too, well worth seeing. Or hearing. Or even experiencing. In this first part, I'll list some of my own favourites in the central Helsinki area. Outskirts of Helsinki will follow, one day. Of course, there's a map, which will be updated as I go.



Holy Cows of Intersection

Artist Miina Äkkijyrkkä is known for her fondness of cows. They're a recurring theme in her works, including textile patterns, paintings and graphics. She has studied husbandry and even maintained a herd of eastern finncattle herself, even though that didn't end too well.

In Finland, cars are often regarded as holy cows of a kind, and Äkkijyrkkä indeed uses cars and car parts as material in her cattle themed sculptures. The ones in Hakaniemi, called Joy (2006) are of a smaller kind, the biggest may include a whole van in the body of the cow. And what could possibly be better place for these statues than a busy traffic intersection?

Getting this close is a tad dangerous and probably illegal, since
you have to cross a few car lines with absolutely no pedestrian crossing

Golden Showers in the Harbour

Manneken Schmanneken, we have it bigger and... more endearing? Tommi Toija's Bad Bad Boy (2013) was originally exhibited in Sweden, and in Finland first installed in front of the presidential palace, but only temporarily. Wonder why. In 2015 it was once again re-erected in Jätkäsaari, on the grounds of Verkkokauppa.com store of everything, welcoming people arriving from Tallinn by boat. It was supposed to be, again, temporary, but there it still stands in it's 8,5 m glory, years overtime. Which is great!

At first, the statue stroke me as horribly ugly, but on the second sight I began to see the laconic humour and appealing bluntness of it. It's kind of cute in the same way as a baby owl. The body of work of the artist Tommi Toija includes a lot of characters similar to Bad Bad Boy, just smaller and more hazardous in their looks, on the edge of horrible and heartbreaking. Judging from the internet commenting, not all bother to look twice, and/or see Bad Bad Boy merely as a joke. I beg to disagree. And dare you to take a shower in the jet on a hot summer day.

"Never mind me, I'm just on my way..."

Sound Art Hidden in Plain... Sight?

Every day at 5:49 pm, ever since 2005, there is a 5 or so minutes of sound art to be heard in the Senate Square. The likelihood is that uneducated ears don't even recognise it, since Senaatintorin ääni (The Sound of the Senate Square) is composed of very church bell -like sounds and thus is easily mixed with the bells of the actual church by the square. But they are not quite the same.

The sounds emanate, in turn, from different rooftops around the square and every version is different. The work is not just recordings of different bells, but an electronic composition by Harri Viitanen and Jyrki Alakuijala. If you really want to feel like in the know, linger by the statue in the middle of the square, listen to the beautiful sound art and scorn the tourists (and Helsinki dwellers) around you, who have no idea there is art going on.

The art work is audible on the whole square, but the best place to listen is the
area around the statue of Alexander the II, marked with white square in the image

Art under Your Feet

One probably notices Denise Ziegler’s public art works by accident or by already knowing what to look for. Even though I’d very much like the crowds to find them, the subtlety is a part of the poetic charm of the works. Epigrams for Helsinki Citizens (1999) series consists of eight manhole covers, spattered around Helsinki centrum, every one of them adorned with a sentence defining the site in a more or less poetic way. Here the text goes ”in the backroom of the city you’re enjoying the sea view”, which is very much true behind the market hall.

Note the more than fitting cigarette stub.

Sounds from Sewers

Markku Puustinen's Mutta minä lähden (But I shall leave) has been reciting under Torkkelinpuistikko parklet since 2003. The well pronouncing voice utters notifications of flights departing, heard from the sewer in the corner nearest to Avikainen bakery (which supported my wellbeing during my years in the nearby arts high school with their crescents and munkkis, so that you know).

At the time I first heard the piece I regarded it quite optimistic, as a kind of dream of freedom. Now, of course, this has all changed and the voice feels more like a harbinger of the inevitable doom. During the winter the art work hibernates, since the the battery can't stand the minus degrees. Let's see how the climate change will affect that.

The horror here is way more cerebral than in Stephen King's IT

Some Lumps are Okay I Guess

OK, these are lumps indeed, but not made out of metal, nor in shape of men. Even though Maria Duncker’s six part work of huge pieces of stone, Too Heavy Guests (2010), remind me of Pushkin’s play The Stone Guest, the awkward creatures still feel friendly to me. There they stand, a bit mopey, somehow in a wrong place and yet part of the community of buildings around them, old and new. I especially enjoy the combination of roughly chiseled stone and the finest detail of traces of decoration on their surface. No evil thing would have a tattoo of a jolly candy kane on them, would they?

I spent a great deal of time trying to figure out what's the deal between these two.

Trajectum Lumen: Orienteering by Light Art

Trajectum is the ancient Roman name of Utrecht, and Lumen is the unit of luminous flux. And a metabolism hacking device. And a Russian rock band. So that you know. Trajectum Lumen is a light art route meandering through Utrecht's ancient Roman center, luckily consisting of quite different light art works than those favoured by ancient Romans, especially emperor Nero. Like, flaming cities and humans.

The given estimates of the time needed vary between one and one and a half an hour, plus a likely visit to a bar, but I'd recommend at least two hours. And a visit to a bar.

Light Art Inside, Outside, Upside Down

I was a tad prejudiced when entering Erik Groen's Tunnel, since in the publicity photo it looked like another spectrum-wanking wondertube, of which there are way too many. I mean, we all know that it is possible to mix all the colours with RGB LEDs, but that really is not a reason to do so. It really isn't. Anyhow, to my great pleasure the colour variety was, if bright, still actually thought of, and even the less fanciful combinations were present. One could spot the unavoidable rainbow at times, yes, but it was just another colour combination among others.

© Merijn van der Vliet / Utrecht Marketing

Jan Hein Daniëls and Willem Hoebink's installation Pausdam was possibly the most spectacle-like of the lot, but definitely not too flashy. The cool hues of blue and white alternated fluently, although a tad mathematically for my taste, kind of lacking tension, but this really is a question of preference. On the other hand the projected hare and owl had been given more time to breath, so to say, and take their time and space, which was a nice contrast to the lights' punctuality. I wouldn't call this a ghost house, but the ever so still and finally alive-coming animals really gave an eerie finishing touch to the whole.

© Merijn van der Vliet / Utrecht Marketing

Halo by Titia Ex at Sint-Willibrordkerk was one of my favourites. Simple, beautiful and integrated to the site on a thematic level and in a most elegant way. And funny, too! I wonder if it was on purpose, but the colours of the halo perfectly matched the surrounding Christmas lights, in a very who wore it better way (the halo did).

As soon as one realises there are small orange lighted arrows in the ground, the route is easy to follow. Sometimes the art works are a tad hard to spot, but the small blue eye signs on the ground give a good clue where to stand. Before I realised this, I did roam around the Drift like a desperate human snooker ball, in search for video art by students of the Utrecht School of the Arts. Which I, luckily, did find, and I have to say, the site was genial! A perfect example of making unnoticed parts of a city visible and meaningful. But not too visible to take away the joy of finding the art in a surprising place.

@ Anne Hamers / Utrecht Marketing

The Sun Shines in and around the Buurkerk by Gabriel Lester loans the shapes of the windows of the adjacent church, err, museum, adds some colour and turns it upside down. At the first sight the work is not nearly as fancy as in the photo, but once I got the idea of it, it quickly became a thoughtful study of blurred borders between inside and outside, a statement of belongingness and surrealist caricature of a decoration. I think.

Dead lights and missing mist

The lights by the Janskerk made me go like Oh, the lights are... changing? What am I suppose to... What? Given the benefit of doubt, I believe there was something wrong with the focus of the lights at the time of my visit. Another victim of dead lights was The Fortified City by Okra Landscape Architects. Not quite as fancy as in the publicity photos, I'm afraid. Some natural/artificial haze would probably have made the day, though.

As the webpage duly warns, some of the works may not be working properly or at all – being a year round project takes its toll. I did miss a bunch of artworks either/or for being out of order or missing from the map. The two may be related. Then again, I'm pretty sure that maintenance is not lacking because caretakers are stupid, lazy and hate art. I'm betting on deficit in resources. So, whoever is funding Trajectum Lumen, give it some more tender love, caring and money, please, so it can live up to its potential.

Cosiness is the key

Many of the commentators in the social media describe the art works as "nothing spectacular", which I mostly agree on, but do not see as a problem. All too often spectacle and flashiness is regarded as imperative to light art, which simply isn't true. Trajectum Lumen artworks draw attention to the city itself, and I just love the idea of orienteering the streets by light art works! The cosy, small scale of the artworks give room for both the art and the city, without one being just a canvas for the other.